Personal death threats: I was a mod on a Facebook group that banned a guy for being hostile to others, and this guy turned out to be paranoid and probably had some other mental health issues going on and believed there was a vast conspiracy against him with us working with people we had never heard of and with other online forums that he had been hostile on

Impersonal death threats: just the typical stuff from rightwingers for being harmlessly different in some way

I think education and access to general information is a human right. However, there might be cases where a direct internet connection may be logistically impossible to provide or it may be the wrong choice for a particular person. For example, a person in jail for cleverly hacking computer systems could potentially cause problems if they are allowed to use a computer while imprisoned; in this case, a warden with a paper printer acting as a proxy may be the best option to bring them requested information posted online. There is also some media online that could be harmful to rehabilitation and is in the prisoners’ and the prison’s best interests to refuse access to, such as violent internet content provoking those who are recovering from a history of violence.

Having the right to post online is a separate issue and should typically be determined by whom the host site chooses to provide or deny service to; for example, John Hinckley Jr., who attempted to assassinate Ronald Reagan, was able to post his music on YouTube prior to his release. Restraining orders can also apply to online spaces to protect victims from further harm.

I think the way it works is good.

1. If the blocked user browses on another account (or not logged in at all), they can’t tell that you have blocked them.

2. Bot/spam accounts can’t use the blocking system to stop users who target these accounts to call them out on their disguised malicious behavior. This became a problem on Reddit when they changed their blocking system away from what we have here.

Edit: I guess there is a downside of if so many of the sane users block the same nutjobs, then there won’t be anybody to downvote or refute those nutjobs

@rimu@piefed.social (the dev for Piefed and also the admin of OP’s host instance Piefed.social)

Is the reputation filter a built-in part of Piefed or is instead specific to the host instances which opt into it? It seems like the function is getting a lukewarm reception, but I don’t know if it will ultimately be for the better or the worse to have it.

I have, but we haven’t been able to find any particular issues with me that would be affecting that. Some of the possible causes seem to be environmental, like capitalism, problematic majority demographics, certain other people being jerks, and just bad luck.

I didn’t mean in the sense of having their approval for your own peace of mind. I meant them consenting to work with you in order for you to achieve an objective.

Given how hypercommercialized and devoid of personal artistry the throwaway modern music industry is, if something is known as a hit then I don’t see it being something good to my tastes. Even the couple of former megastars which have returned to the scene with hits seem to have been forgotten about shortly after their release (ex. The Beatles’ “Now and Then”, Billy Joel’s “Turn the Lights Back On”). There will be some pop songs that may stick around for a while out of novelty rather than quality, whether they’re simply quirky (ex. “Gangnam Style”, “Turn Down For What”, “I Glued My Balls to My Butthole Again”), they became associated with a huge fad (ex. “Friday”, “Harlem Shake”), or they prominently featured in a musical or movie (ex. The Hamilton Soundtrack, songs from a Disney movie). “Somebody I Used to Know” is the closest thing to an exception that I can think of, but that’s also a bit quirky. Does anything by Greta van Fleet count as a hit with a chance for longevity?

Given Taylor Swift’s relatively unique situation of having a massive cult of personality and now having control over her own catalog and releases, she has potential to output exceptions to the hypercommercialized rule but I’m not familiar with her discography beyond the hits that I hear played in public spaces.