

中西 圭三 - Woman
Nakanishi Keizō - Woman
(Japanese; my Japanese only good enough to catch a few snippets)
One I came to love because the guy in the room next to me when I lived in Japan kept playing it over and over until I did. Also featured in my first (and last!) attempt at doing karaoke in front of Japanese people.
https://youtu.be/xYe0d9QFLIA
Время и Стекло - Тролль
Vremya i Steklo - Troll
(Russian)
The Ukrainian crunk equivalent of “No Scrubs”? (IIRC read an article explaining how the song is about terrible men hitting on her)
https://youtu.be/q--5Ht49vNY
Anders Nelsson - 鬼新娘
Anders Nelsson - Ghost Bride Song
(Cantonese)
From the soundtrack of 殭屍先生 (Mr Vampire, 1985), Hong Kong horror-comedy about the hopping dead.
https://youtu.be/q9DHRNREzlk
Tabou Combo - Konpa Mania
(Haitian Creole & English; I only know a few words in Creole)
A konpa track I think sampled by Wyclef Jean.
https://youtu.be/McUmXoB_9yw
Basically, yes. EEE is a strategy developed by a dominant company whose revenue stream came from paid proprietary software and services but which embraced open standards with the goal of vanquishing the threat to their business model posed by that openness and maintaining/recovering their proprietary domination.
Does ActivityPub being open and used by many different projects & organizations pose a threat to Piefed’s business model? Is Piefed a powerful company that built that power on a proprietary model and seeks to preserve that power by embracing, extending, and extinguishing ActivityPub? With the goal of maintaining/recovering proprietary domination?
No. So it ain’t EEE.